Museum of Anthropology as well as numerous public buildings and corporate developments paying tribute to the native peoples that once inhabited these lands as well as all peoples from the four corners of the earth (past, present and future) who also share and inhabit these same lands. To name a few, these large scale works welcome visitors at the Vancouver International Airport, Stanley Park in Vancouver, B.C., the National Museum of the American Indian in Washington, D.C., the U.B.C. Susan’s biggest reward has been the opportunity to meet elders and teachers from other communities around the world, and to see the current renaissance in Coast Salish art and culture.Īs a result of Susan’s willingness, drive, and love of experimentation, she has been awarded numerous public art commissions, including building facades and large sculptures in Canada and the U.S. Over the past 3 decades, Susan has been instrumental in re-establishing Coast Salish art both in Canada and the United States … drawing inspiration from the images of her ancestors and commencing the use of non-traditional materials and techniques in paper, glass, bronze, wood, concrete, polymer, stainless steel, and cast iron Inspiring a whole new generation of Northwest Coast artists. Ironically, although Susan researched and tried to understand the art style of her ancestors, her very first two-dimensional image using the silkscreen process was a “contemporary” print entitled “Salmon”. They came in various shapes and sizes the size of the disk and the center pole determined the thickness of the diameter for the strands of yarn Spindle whorls consist of a circular disk and a center pole. Shell, bone, and whale vertebra were also used, but wood became the most common material from which they were made. The oldest whorls discovered by archaeologists were carved from stone. Consulting with her uncle, Professor Michael Kew, at the University of British Columbia, who focused in “Coast Salish Art and Culture”, Susan then began her career as a Coast Salish artist (representing “all” of her Coast Salish peoples) creating designs reflecting traditional images of the past in jewellery, limited edition serigraphs, and paintings … taken from the spindle whorl which is a disk, elaborately carved, which was used in the spinning of wool by Coast Salish women.Ĭoast Salish women have used the spindle whorl for centuries to spin their mountain goat wool into yarn. Through research and consultation with various museums and libraries (both in Canada and the U.S.), Susan began her study on the design and art style of traditional Coast Salish artifacts. Eager to learn more about her own peoples art style, Susan chose to concentrate on the traditional designs and elements created by her ancestral artisans. At this time, Coast Salish art was an almost lost art form (due to European contact) therefore much of the native artwork produced and sold through various galleries and museums consisted of northern First Nations art. Susan began her artistic career in January 1981 designing and creating gold/silver jewellery. Born in 1952, from childhood Susan has been taught the traditional values of her culture and legends of her people by her many aunts and uncles, but above all by her late mother, Edna Grant-Point, and her late uncle, Dominic Point. Point is a Coast Salish artist from Musqueam, a First Nation in Vancouver, British Columbia. Holman Prints - Ulukhaqtuuq Prints (Nunavut).Baker Lake Prints - Qamanittuaq Prints (Nunavut).Pangnirtung Prints - Panniqtuuq Prints (Nunavut).
Povungnituk Prints - Puvirnituq Prints (Nunavik).
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